Artistic Director – Flloyd Kennedy

photo: Anton Mellor Photography

Thunder’s Mouth Theatre Artistic Director is Australian director,  actor, writer, and voice/acting coach Flloyd Kennedy, presently based in the UK. She has previously trained and worked in the UK, USA, Nigeria, New Zealand, Russia and Australia with some of the world’s most renowned theatre practitioners.

Flloyd first came to the UK in the late 1960s, and over the next 30 odd years she performed street theatre, cabaret and fringe theatre, was lead vocalist with The Black Diamonds Havana Band (trad jazz) and Chorde en Bleu (modern jazz). After three years as deputy wardrobe mistress for the King’s Theatre, Glasgow, she returned to performing, touring Scotland with Annexe Theatre, Shared Boat, Cahoots and several one-woman plays under the auspices of the Scottish Arts Council. She helped establish Performance Exchange, coordinating workshops and inter-disciplinary skills training for theatre practitioners in Scotland, and was founding Artistic Director of Golden Age Theatre (Glasgow), directing and performing in classic and contemporary plays, touring to festivals, theatres, schools and community halls (with workshops) around Scotland.

Neil Packham and Stevie Hannan. The Loneliness Of The Long Distance Runner Alan Sillitoe adapted by Steven Jamieson and Paul Brennan (1992 Mayfest, Edinburgh Festival Fringe. Scottish Tour and secondary schools tour) “Superbly executed… performed with wit and raw energy” The Independent “… highly charged and compelling performance” The Scotsman “powerful and poetic script, stark staging and talented commitments… “ Dundee Courrier “…quality production…poetry in motion” Edinburgh Evening News “Minimally yet imaginatively staged and confidently performed … a funny, furious and passionate piece of drama” The List

Stevie Hannan and Emily Winter. Pericles Shakespeare (1993 Edinburgh Festival Fringe) Golden Age Theatre “audience left shocked to realise Shakespeare could be this good … enthralling… nifty choreography… excellent acting ..action packed show – I loved it” Edinburgh Evening News “…small space proves no restriction to Golden Age Theatre’s robust energy… they outreach their immediate environment to create a visually charged wider world… strength of the performances, tightly choreographed scenes, highly efficient lighting, striking use of music with a haunting score… truly absorbing” The Herald

John Clyde,  Emily Winter, Bill Wright. The Promise Abrusov (1994 Scottish tour) “a haunting quality piece of theatre” St Andrews Citizen “Very much an ensemble piece … deserved better than the small audience which turned out” Perth Courier

Closer Than Ever Maltby & Shire (1995, Mayfest and Aberdeen) “… swept away by the sheer musicality and integrity of this show… cannot be recommended enough” Aberdeen Press & Journal “excellent musicianship, slick staging, ritzy choreography…” Glasgow Herald

In 1992 Flloyd was invited to join the collaborative ensemble VoiceTheatre NY during their residency at the Columbia (Maryland, USA) Festival, before visiting Russia to train with the Maly Drama Theatre of St Petersburg. She established the Voice Studies elements of the Acting Courses at Langside College, and Coatbridge College, and taught Verse Speaking at the RSAMD.

Upon returning to Australia in 1997, Flloyd directed opera and theatre productions (professional, student and youth theatre), including Madame Butterfly for the 4MBS Festival of Fine Music, A Life in the Theatre for Trocadero Productions and Brave New World Order for Dianne Gough Productions. She regularly performed with independent theatre and film companies, her roles including Elizabeth Boleyn in Crossbow Theatre’s production of Anne of the Thousand Days, Mme de Roussilion in Les Liaisons Dangereuses, and Lola in the award winning short film, Lola the Magnificent.

As a writer, Flloyd’s musical play Blame it on Your Mother was first performed in Scotland by The Wicked Ladies, then by The Girls at the Empire Church Theatre, Toowoomba. Her adaptation of David Malouf’s novel, An Imaginary Life, was produced by Vena Cava in Brisbane, 1999.  The Fall of June Bloom (or What You Will), premiered in Brisbane in November 2010 with Thunder’s Mouth Theatre, before touring to Phoenix Arizona in March, April 2011. In 2012 Flloyd returned to the States to tour with Across The Pond (Seattle) as the Fish in Man Catches Fish, and in May 2013 appeared as Juliet at the Visy Theatre, Brisbane Powerhouse, in Full Circle Theatre’s production of Ben Power’s A Tender Thing, and in QSE’s Mary Stuart as Hannah. In 2014 she played Juliet’s Nurse in THAT Production Co’s Romeo + Juliet.

Flloyd returned to the UK in 2015 to teach voice for 10 months at E15 Acting School (Southend) deputising for the Head of Voice, and in 2016 taught at the MGA Acting Academy in Edinburgh, Scotland. She presently teaches voice, accent and speech skills privately via her studio practice Being in Voice, and also supervises research projects for RCSSD MA and MAV students.

In 2014 her doctorate was awarded by the University of Queensland; my thesis is entitled “Shakespeare’s Voice: A Theory of the Voice in Performance”.